Daniel craig dating history

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Yes, there are times when I’ve been caught without make-up and not even a pair of huge sunglasses to hide behind, but it’s not worth getting exercised about.” Born in London to an Hungarian inventor father and an Austrian teacher-turned-psychotherapist mother who fled Europe before the outbreak of the Second World War, Weisz and her younger sister, Minnie, a photographer, were privately educated.Weisz went on to study English at Trinity Hall, Cambridge, where she gained not only a 2:1, but a taste for theatre and the seeds of her bluestocking reputation were sewn.She radiates intelligence, honesty, a rather old-fashioned clear-eyed loveliness and, above all, class.Where Kate Winslet is relentlessly, gushingly actressy in her attempts to appear down-to-earth, Weisz gets quietly on with things.We continue to identify technical compliance solutions that will provide all readers with our award-winning journalism.“I never thought I would get married,” Weisz revealed. Then it just happened, happily, at a more mature moment.” Asked if marriage has changed her, Weisz admitted she didn’t know how to answer the question. “You don’t join the institution like it’s the Rotary Club,” she quipped. “One of the great pleasures of not being an adolescent is that you don’t have to share everything. The audience goes, and you’re in your own life.” Part of being in her own life also means focusing on being a mom to Henry (Craig, 49, also has daughter Ella, 25, with actress Fiona Loudon). “He can do a paper round or something, but not photographs. But she is presumably savvy enough not to bother investing in car-to-bar shoes she can scarcely walk in.Weisz’s early career saw her appear in television and stage roles, until her big-screen breakthrough in 1999 with a knockabout adventure film, The Mummy and its sequel, The Mummy Returns, two years later.

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The Wizard of Oz was the first film I remember seeing and I was really, really scared, but then fairytales are supposed to help children explore the concepts of good and evil, even if they are peeping out from behind a chair in terror.” The film takes its inspiration from the Oz novels by L Frank Baum, and envisions how it came to be that the wizard – a trickster who ruled by smoke, mirrors and prestidigitation – rose to power.

The effects are stunning, and while younger children might take fright at the computer-generated combat scenes, there are moments of tenderness – and, of course, lots of witches’ familiars.

Not a description that fits Weisz, but she is so airily unconcerned by her movie star image, that when she takes off her patent heels, she blithely hands them over to her stylist with the admission they aren’t hers.

“Can’t Disney cancel the teabags and buy you a pair of decent Choos? “Oh, I can afford my own,” Weisz reassures me with a chuckle.

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