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[…]Placing soldiers within the narrative of Christ’s Way of the Cross serves a political-ideological agenda as well as a psychological need of local populations.

In this paper two case studies, the Calvary of Klagenfurt and the Way of the Cross in Syców (Groß-Wartenberg), are presented to highlight this phenomenon.

[…]This paper recapitulates the changes that occurred to the German WWI graves on the Flanders Front from 1914 up to the period past WWII, when the task of maintaining the cemeteries was assigned to the Volksbund Deutsche Kriegsgräberfürsorge.

[…]Robert Tischler, the architect responsible for the two German war memorials in North Africa, in Tobruk, Libya (1954-1955) and in El Alamein, Egypt (1956-1959), had already constructed similar memorials during the National Socialist period.

Bachelor Hirusha Henricus, 26, masqueraded as a flirtatious girl called 'Chloe' on both social media sites to fool besotted boys into believing they were chatting to a beautiful woman who fancied them.

A string of youngsters who had been receiving squash lessons from Henricus stripped off and carried out sex acts in front of their web cams at the request of 'Chloe' - only to discover it was in fact their coach watching and communicating with them.

One boy who was 14 when he fell victim to the coach said he was still unable to tell his own family about his ordeal for fear it would bring 'shame' on them.Two special issues on the 19th- and 20th-century art and architecture: Rudolf Fischer from the Archiv der Avantgarden - Staatliche Kunstsammlungen Dresden is currently guest-editing a special issue entitled "Mies van der Rohe und die neue Wohnkultur der 1920er und 1930er Jahre", while Alexandra Karentzos and Miriam Oesterreich from TU Darmstadt and Britta Schmitz from the National Gallery in Berlin are preparing a series of papers on Gottfried Lindauer's New Zealand paintings that breaks new ground in the debate on cultural transfer processes in 19th century.This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.Robert Tischler, the chief architect of the German War Graves Commission from 1926 to 1959, decisively shaped the character of German war cemeteries at home and abroad.Interestingly, the size of the oeuvre does not correspond to the very few facts we know about the author.

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